TV Show Review: Murderbot Season 1

IMDb listing; available on Apple TV

Pros: Skarsgard is brilliant as Murderbot, really good special effects and sets, interesting characters, good soundtrack, social commentary, thought provoking, lots to discover on subsequent viewings

Cons: uncomfortable to watch at times the first time through, a few gauche sexual comments

The first time I watched the show I’d only read the first novella in the Murderbot Diaries series by Martha Wells that this show is based on, All Systems Red. That was in 2018, so while I remembered the premise of the book, I couldn’t remember any details. I thought the story was interesting, the characters were fun, and the special effects and set designs impressively realistic. I also thought the show had a lot of cringey, uncomfortable moments.

The second time I watched the show I’d read all of the books and stories. This time I realized that the show is designed to be uncomfortable on one side and shocking on the other. The books are all told from Murderbot’s point of view. And Murderbot finds human interactions awkward and uncomfortable. By making the show uncomfortable to watch at times, the directors are putting US in Murderbot’s shoes. We feel uncomfortable because IT feels uncomfortable. My third time through I started noticing just how brilliant an actor Alexander Skarsgard is as Murderbot. While horror and discomfort come easily to its features there are very tiny, very subtle facial movements when it’s happy. On the flip side, several scenes are incredibly shocking and while Murderbot is nonchalant in the face of violence, the humans aren’t, so this time we’re put in THEIR shoes. Because of the shock you can’t appreciate the humour of Murderbot’s commentary in those scenes until you’ve watched them a couple of times and – like it – have become inured to the violence of their world.

The show also does an incredible job of showing not telling. There’s a scene in episode 7 where Murderbot is fighting an enemy SecUnit and the humans are ‘helping’ as a visual play on the sarcastic comments Murderbot scatters all over the books. It’s even funnier when they’re congratulating themselves for the good job they did in the next episode and we get flashbacks of what actually happened.

The musical score by Amanda Jones is great and reminds me of background music in the Portal games by Valve (composed by Kelly Bailey and Mike Morasky). The theme song for Rise and Fall of Sanctuary Moon is surprisingly addictive.

The show does deviate from the text in a lot of places. Several new plot twists were added to make up the run time for the season and most notably, except for Mensah the humans never really trust Murderbot.

I did find LeeBeeBee’s sexual comments genuinely uncomfortable, and not just in a Murderbot kind of way. Those scenes make it harder to wholeheartedly recommend the show to everyone I know who likes science fiction.

This is a show that, like the books, really benefits from contemplation and revisiting.



After finishing the show I came across a video called The Murderbot Ending is Different in the Best Way by Pete Peppers that covers Murderbot’s journey of emancipation. It’s really good and mentioned several things I’d missed. It contains full spoilers for the show, so only watch it if you’ve seen all the episodes.