Pros: great characters, thought provoking
Cons:
Nadya was abandoned to a Russian orphanage on birth, having been born without a right hand. She never considers herself lacking something until a Christian American couple adopts her and gets her a prosthetic. Unsure of her future, she falls through a door into a world with giant talking turtles.
This is book 10 of the Wayward Children series, but it is an origin story novella, so while Nadya is a main character in Beneath the Sugar Sky (book 3), you don’t need to read that to understand her story here. Nor do you need to have read any of the previous book to have a full understanding of this book.
McGuire is a master of creating empathy with her characters. Her clear but lyrical prose allows you to follow Nadya’s thoughts regarding her missing hand - how she doesn’t feel its lack, nor does she feel it needs replacing to be ‘whole’. Too often books align with the parents in this situation, expecting gratefulness from the recipient of their ‘aid’, unwanted and unnecessary as it may be.
It’s a thought provoking read, not only for the prosthetic, but also about Nadya’s adoption and some reasons why families choose that option and how it can affect the child in question.
I loved Nadya’s spirit and cleverness. Her kindness. Her resilience.
Belyyreka’s a challenging world to get your head around. I loved the giant turtles and how they were used in the story.
The ending, as usual for the origin novellas in this series, has an abrupt ending. We do know what happens to Nadya next, after this story ends. Strangely, that knowledge left me with more questions of how things go after the end of Beneath the Sugar Sky. Maybe those will be answered in a future novella.
If you haven’t read any of the Wayward Children books, this is another entry point that requires no previous knowledge, and it’s a great little story.
Tuesday, 7 January 2025
Wednesday, 25 December 2024
Tuesday, 17 December 2024
Book Review: Providence by Max Barry
Pros: interesting characters, asks some interesting questions
Cons: standard aliens, not the most charismatic crew
Jackson, Gilly, Beanfield and Anders are the human crew on the 5th Providence AI ship sent to battle against the alien “Salamanders”. But as their 4 year mission drags on they realize just how little the ship needs them, and how much the aliens seem to be learning from their encounters.
The chapters are told from the point of view of different characters, mainly Gilly, their Intel officer, and Beanfield, the Life officer (whose job it is to keep everyone sane). Things on the ship aren’t as they anticipated, and the characters have personalities that clash more than they complement.
I didn’t really like any of the characters for the first half of the book. Gilly seemed the most relatable, in certain ways. But as the story changed and you got POVs from all of them, their quirks became more understandable as you learned more of their histories and why they act the ways they do.
A lot of emphasis is put on manipulating people on Earth to pay for the war effort. Making videos showing how heroic the Providence crews are, risking their lives. I appreciated the extent to which psychology played a role in the book. There’s so much behind the scenes manipulation that the crew only become aware of as time passes.
The aliens, called Salamanders by the army, are the standard ‘bug’ that comes up in SF a lot. They have hives and appear somewhat intelligent, even if they mostly swarm ships en mass.
It’s an interesting read, with some good commentary on war, AI, and how humans manipulate each other.
Cons: standard aliens, not the most charismatic crew
Jackson, Gilly, Beanfield and Anders are the human crew on the 5th Providence AI ship sent to battle against the alien “Salamanders”. But as their 4 year mission drags on they realize just how little the ship needs them, and how much the aliens seem to be learning from their encounters.
The chapters are told from the point of view of different characters, mainly Gilly, their Intel officer, and Beanfield, the Life officer (whose job it is to keep everyone sane). Things on the ship aren’t as they anticipated, and the characters have personalities that clash more than they complement.
I didn’t really like any of the characters for the first half of the book. Gilly seemed the most relatable, in certain ways. But as the story changed and you got POVs from all of them, their quirks became more understandable as you learned more of their histories and why they act the ways they do.
A lot of emphasis is put on manipulating people on Earth to pay for the war effort. Making videos showing how heroic the Providence crews are, risking their lives. I appreciated the extent to which psychology played a role in the book. There’s so much behind the scenes manipulation that the crew only become aware of as time passes.
The aliens, called Salamanders by the army, are the standard ‘bug’ that comes up in SF a lot. They have hives and appear somewhat intelligent, even if they mostly swarm ships en mass.
It’s an interesting read, with some good commentary on war, AI, and how humans manipulate each other.
Labels:
Book Review,
Max Barry,
Providence,
Science Fiction
Tuesday, 3 December 2024
Books Recieved in November 2024
Many thanks as always to the publisher for sending me an advance reader copy.
Medieval Cats: Claws, Paws, and Kitties of Yore by Professor Catherine Nappington - This is a cute adult picture book featuring cat quotations and facts and lots and lots of medieval illuminations of cats.
A hilarious celebration of cats in artwork from medieval times.
Look what the cat dragged in from the Middle Ages—a curious compendium of cats unlike any you’ve ever lapped up before.
For more than a millennium, a myriad of medieval manuscripts and artworks painted a picture of cats as playful and curious but also lazy, selfish, and vicious. Today, these masterpieces live on, shining a bright light on the dark age of cats and telling a hilarious story of their paw-some glory. From bum-licking to cat-fighting to mouse-tricking, Medieval Cats is a hilarious celebration of cats who are up to no good.
Learn cat facts from the Middle Ages and the origins of cat proverbs, and discover poems and excerpts from literature that mention cats. Both humor book and peek into medieval art, Medieval Cats is for cat lovers—and haters—everywhere!
Tuesday, 26 November 2024
History Book Review: The Medieval Scriptorium by Sara J. Charles
The book consists of seven chapters, not including the introduction and conclusion. The chapters are: 1. The Beginnings, 2. Monasticism and Manuscript Production in the West, 500-1050, 3. Locus Scribendi - The Place of Writing, 4. Material World: Parchment and Ink, 5. Illumination and Painting, 6. The Twelfth-Century Renaissance, and 7. The End of the Scriptorium. The book ends with a short glossary, references, further reading, and photo acknowledgements.
Each chapter starts with a fictional first person account of a worker detailing some aspect of manuscript creation. I’m not usually a fan of this kind of thing, but here it helped put me into the correct mindset that I was dealing with a different time and place, and to really let me experience that world for a moment.
The book provides a fantastic overview of how manuscripts changed over the centuries. The author mentions different fonts and decorative elements (various types of pen flourishes, illustration styles, etc). She goes into a lot of detail for how inks and parchment were made (and she’s tried making some herself, which she has documented on her Teaching Manuscripts website and blog).
The book has a decent number of photos, but given the highly visible nature of the topic, there are more referenced than have been included, which you can look up on your own. Here’s where the ebook is an advantage, as I could cut and paste the references straight into my browser to see the manuscript being discussed. There were a lot of these, so I didn’t look them all up, only ones with elements I was interested in, or wanted the visual to understand the text better. Unfortunately, occasionally the manuscript wasn’t digitized, so unless wikipedia or an article brought up the specific image mentioned in the text, I was out of luck seeing it (ex: Lincoln Cathedral MS 147, fol. 15v. I found a single cropped image of another page on a Lincoln University article via google but not the one referenced). Often the author will give more than one reference though, so if one image isn’t searchable another one likely is.
The language is very clear, making this an enjoyable read. The breadth of information is wonderful. If you’re interested in manuscript production, medieval inks, and how manuscripts changed over time, this is a great resource.
Each chapter starts with a fictional first person account of a worker detailing some aspect of manuscript creation. I’m not usually a fan of this kind of thing, but here it helped put me into the correct mindset that I was dealing with a different time and place, and to really let me experience that world for a moment.
The book provides a fantastic overview of how manuscripts changed over the centuries. The author mentions different fonts and decorative elements (various types of pen flourishes, illustration styles, etc). She goes into a lot of detail for how inks and parchment were made (and she’s tried making some herself, which she has documented on her Teaching Manuscripts website and blog).
The book has a decent number of photos, but given the highly visible nature of the topic, there are more referenced than have been included, which you can look up on your own. Here’s where the ebook is an advantage, as I could cut and paste the references straight into my browser to see the manuscript being discussed. There were a lot of these, so I didn’t look them all up, only ones with elements I was interested in, or wanted the visual to understand the text better. Unfortunately, occasionally the manuscript wasn’t digitized, so unless wikipedia or an article brought up the specific image mentioned in the text, I was out of luck seeing it (ex: Lincoln Cathedral MS 147, fol. 15v. I found a single cropped image of another page on a Lincoln University article via google but not the one referenced). Often the author will give more than one reference though, so if one image isn’t searchable another one likely is.
The language is very clear, making this an enjoyable read. The breadth of information is wonderful. If you’re interested in manuscript production, medieval inks, and how manuscripts changed over time, this is a great resource.
Tuesday, 19 November 2024
History Book Review: Going to Church in Medieval England by Nicholas Orme
This is a book about worship and attendance of the medieval church in England. Specifically, the book focuses on parish worship, that is, worship for the populace in villages and towns (as opposed to monasteries and cathedrals, where worship was for their members). It consists of nine chapters: Origins and the Parish, The Staff of the Church, The Church Building, The Congregation, The Day and the Week, The Seasons and the Year, The Life Cycle, The Reformation and Reflections.
It is a very detailed study and can be a bit dry at times. The breadth of information however, is incredible. The author researched numerous primary sources to get a broad idea of how people really responded to the church’s demands (tithes/taxes, holy days, weekly worship). Some were pious, others rebellious.
Rather than a chronological overview, the book tackles a subject and shows how it changed over time. I personally found the two chapters on liturgy and how it worked from day to day and over the course of the year (chapters 5 and 6) the most fascinating. It’s really hard to get a firm understanding of how church practice occurred beyond reading primary sources (like the missal or breviary), so a book explaining now only how the services went, but also how they differed as they year progressed was very helpful. The book includes a lot of details about various ceremonies (baptism, marriages, etc) as well.
There are a decent number of colour illustrations throughout the book.
I learned so much from this book. From seemingly simple things like the difference between a rector and a vicar, to how much medieval practice survived the Reformation’s attempts at reform. If you’re interested in the Catholic church, how churches were run in the middle ages, or liturgy and religious practices in England, you really need to pick this up.
It is a very detailed study and can be a bit dry at times. The breadth of information however, is incredible. The author researched numerous primary sources to get a broad idea of how people really responded to the church’s demands (tithes/taxes, holy days, weekly worship). Some were pious, others rebellious.
Rather than a chronological overview, the book tackles a subject and shows how it changed over time. I personally found the two chapters on liturgy and how it worked from day to day and over the course of the year (chapters 5 and 6) the most fascinating. It’s really hard to get a firm understanding of how church practice occurred beyond reading primary sources (like the missal or breviary), so a book explaining now only how the services went, but also how they differed as they year progressed was very helpful. The book includes a lot of details about various ceremonies (baptism, marriages, etc) as well.
There are a decent number of colour illustrations throughout the book.
I learned so much from this book. From seemingly simple things like the difference between a rector and a vicar, to how much medieval practice survived the Reformation’s attempts at reform. If you’re interested in the Catholic church, how churches were run in the middle ages, or liturgy and religious practices in England, you really need to pick this up.
Wednesday, 6 November 2024
Books Received in October 2024
Many thanks to the publisher for allowing me to read an advance copy of The Medieval Scriptorium: Making Books in the Middle Ages by Sara J. Charles.
Illuminated with illustrations, an exploration of medieval manuscript production that offers insight into both the early history of the book and life in the Middle Ages.
This book takes the reader on an immersive journey through medieval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a medieval narrator—including a parchment maker, scribe, and illuminator—introducing various aspects of manuscript production. Sara J. Charles poses the question “What actually is a scriptorium?” and explores the development of the medieval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press.
With the written word at the very heart of the Christian monastic movement, we see the immense amount of labor, planning, and networks needed to produce each manuscript. By tapping into these processes and procedures, The Medieval Scriptorium helps us to experience medieval life through the lens of a manuscript maker.
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