Showing posts with label Dystopian Fiction. Show all posts
Showing posts with label Dystopian Fiction. Show all posts

Thursday, 14 April 2022

Shout-Out: Dark Lullaby by Polly Ho-Yen

For fans of Black Mirror and The Handmaid’s Tale, a mother desperately tries to keep her family together in a society where parenting standards are strictly monitored.


The world is suffering an infertility crisis, the last natural birth was over twenty years ago and now the only way to conceive is through a painful fertility treatment. Any children born are strictly monitored, and if you are deemed an unfit parent then your child is extracted. After witnessing so many struggling to conceive – and then keep – their babies, Kit thought she didn’t want children. But then she meets Thomas and they have a baby girl, Mimi. Soon the small mistakes build up and suddenly Kit is faced with the possibility of losing her daughter, and she is forced to ask herself how far she will go to keep her family together.

Tuesday, 10 September 2019

Movie Review: The Circle

Directed by James Ponsoldt, 2017
IMDb listing

Pros: interesting premise, some terrifying ideas

Cons: brings up issues but doesn’t examine them, ambiguous ending

Mae’s happy landing a job at The Circle, a social networking company bringing people together. But the corporate culture is very demanding. When she makes a bad decision she starts an experiment that changes the world.

Based on a book by Dave Eggers, this film delves into the question of how willing people should be to give up their privacy in return for safety and connectivity. It asked some great questions, but didn’t do such a great job of answering or even examining those questions.

Mae, played excellently by Emma Watson, agrees to wear a camera at all times, streaming her every action to the world. Let that sink in for a moment. Bathroom privacy aside (she can turn the camera off for 3 minutes) everything she does is open for public consumption. As an introvert I immediately balked at the lack of privacy inherent in this decision. The company implies that wanting to be alone is somehow wrong and anti-social. I liked that the film showed Mae’s lack of intimacy once she put the camera on: no one was willing to talk about their problems with her and she couldn’t really share her own. The film points out that when people know they’re being watched they tend to act better, but failed to address the fact that people generally stop being genuine. They ‘act’ for the camera. And while that’s fine in smaller doses - if you’re an extrovert - few people would want their more ‘negative’ emotions broadcast (depression, grief) not to mention those things everyone does to make life easier (gossip, gripe, complain about loved ones, friends, co-workers, bosses). Complaining about people is one of the social glues that allow people to function in society, but while it can be good for the complainer’s mental health, you wouldn’t want the subject of those conversations to know about them. Humans need outlets for frustration and anger, and the entire ending undercuts that. More cameras won’t solve those problems, they’ll just exacerbate them.

I feel as if the film didn’t do a very good job of showing what the company’s owners had done that was bad, that didn’t include the company as a whole. Yes, the policies were bad (from a privacy stand point), but getting rid of the owners wouldn’t change that policy, especially since Mae wanted even more cameras and privacy breaking to continue. The ending is propelled by a death caused by one of the programs she supported and yet it expands on the programs that caused the death in the first place. There was a great opportunity to talk about the power of mobs to do good and evil that the film completely ignored. I was shocked that the death didn’t make Mae realize just how bad mobs can be. Even with the previous search I expected a more negative outcome.

There were also some comments in the middle of the film that I questioned. At one point the idea came up for it to be mandatory for people to get accounts with this privately owned for-profit corporation and that membership would be how people were registered to vote and do other government affiliated things. I can’t imagine any government giving a private company such power. Not to mention the damage it could do if it got hacked or if the company decided to subvert democracy and change votes from the inside. None of which was brought up by the film.

The characters were all interesting. I loved the inclusion of Mae’s father having a chronic illness and how the need for health insurance affected her early decisions. The supporting cast was all brilliant: Karen Gillan as her friend, Bill Paxton as her father, Tom Hanks as one of the owners, and John Boyega as a concerned employee.

I liked the questions the movie asked but didn’t think it examined them with the necessary depth and found the ending unsatisfying. I find myself wanting to discuss it, so it would be great to watch with a group of friends.


Thursday, 5 September 2019

Shout-Out: Overdrawn by N. J. Crosskey

Henry Morris is watching his wife slip away from him. In an ageist society, where euthanasia is encouraged as a patriotic act, dementia is no longer tolerated.

Kaitlyn, a young waitress, is desperate for the funds to keep her brother's life support machine switched on.

When a chance encounter brings the two together, they embark on an unconventional business arrangement that will force them to confront their prejudices, as well as their deepest, darkest secrets.

Tuesday, 20 August 2019

Book Review: The Warehouse by Rob Hart

Pros: interesting characters, fast paced, thought-provoking

Cons:

Gibson Wells, founder of the Cloud tech empire that dominates the US economy, is dying. After Cloud puts Paxton’s business under, he applies to work at one of their MotherCloud facilities, where people work and live. He expects this to be a temporary gig, to earn enough money so he can be his own boss again. Zinnia has been hired to infiltrate a Cloud facility and steal proprietary information.

Their paths collide inside the company in a novel that explores how far corporate America will go to ‘make the world a better place’.

The book takes place during the slow economic and environmental collapse of America. The world is not as apocalyptic as Octavia Butler’s The Parable of the Sower, but it’s getting there. With fewer and fewer options, more people are opting to work for Cloud, which has both caused many of the problems mentioned in the book even as it tries to (claims to) make things better.

At the start of the book I felt sympathy for Wells, but as I learned more about him, and saw the predatory nature behind his smiles and the abusive personality behind his policies I started to despise him. Though Zinnia is also manipulative I found I still liked her at the end of the book. She’s feisty and smart and I wanted her to be happy. I thought she and Paxton made a good couple and hoped they’d stay together, despite some of her choices towards the end. Paxton was a mixed bag. I liked him but he was easily manipulated by everyone around him, which made me feel less sympathetic towards him.

The book was surprisingly fast paced. Adult dystopian fiction generally drags a bit due to excess worldbuilding or political sentiment. The focus here really is on the characters so it was a quick read - and hard to put down towards the end.

That’s not to say there weren’t some poignant moments where you can see how our own world is heading in this direction. The company is obviously modelled after Amazon and Walmart and their practices of forcing producers to cut costs so they can sell products a the lowest price possible. It does end of a slightly more positive note than other dystopian books as well.

This is definitely worth checking out.

Thursday, 25 April 2019

Shout-Out: Inspection by Josh Malerman

J is a student at a school deep in a forest far away from the rest of the world.

J is one of only twenty-six students, all of whom think of the school’s enigmatic founder as their father. J’s peers are the only family he has ever had. The students are being trained to be prodigies of art, science, and athletics, and their life at the school is all they know—and all they are allowed to know.

But J suspects that there is something out there, beyond the pines, that the founder does not want him to see, and he’s beginning to ask questions. What is the real purpose of this place? Why can the students never leave? And what secrets is their father hiding from them?

Meanwhile, on the other side of the forest, in a school very much like J’s, a girl named K is asking the same questions. J has never seen a girl, and K has never seen a boy. As K and J work to investigate the secrets of their two strange schools, they come to discover something even more mysterious: each other.

Friday, 7 December 2018

Movie Review: Death Race 2000

Directed by Paul Bartel, 1975
IMDb listing

Pros: surprisingly still applicable social commentary

Cons: some gore, some nudity

In a dystopian future USA, the masses love this deadly transcontinental race whose scoring system is determined by what innocents the drivers kill along the way. But on its 20th anniversary, a small group of revolutionaries want to end it for good.

This was my first time seeing this movie and I was surprised by how much I liked it and how much the social commentary still applies.

One of the five racers talks about the master race and her symbol is the nazi flag. When Machine Gun Joe is introduced to jeers from Frankenstein’s fans, he takes out a machine gun and shoots into the air. No one bats an eye. Similarly, when the ‘wrong’ targets are hit in a few instances, people just laugh off the unexpected violence as being simply part of the race.

The movie addresses all of this, and while it doesn’t beat you over the head with the moralistic ramifications, they are clear in the visuals and reporter dialogue.

I was surprised that the revolutionary subplot brought not only some tension into the race, but also some worldbuilding, showing that not everyone’s happy with how things have turned out. The world isn’t very fleshed out, but that works to the film’s advantage, as you’re allowed to imagine what could have allowed things to get this bad. And given the plot, more back story would have just slowed the pace.

There’s some gore, though less than I expected given the scoring system. There’s also some nudity, which I’m not a fan of.

The racing scenes appear to be sped up footage, which makes them appear kind of cheesy at times. Beyond that there are some explosions, but not much in the way of special effects.

I understand why Frankenstein wore a mask, but the cape seemed an odd choice for a racer. I suspect it’s part of the satire, that a caped crusader who’s murdering innocents is the new hero of the USA.

David Carradine is fantastic as Frankenstein. He’s very taciturn and you’re not sure what he wants beyond winning the race. I didn’t realize Sylvester Stallone was in this, so seeing him as the main antagonist was a pleasant surprise. I appreciated that two of the five drivers were women, and three of the navigators were as well. Unfortunately* I don’t think there were any people of colour in the film at all.

I’m not sure I believe things would turn out the way they do here at the end (I suspect there would be more pushback from other people in power), but I can see why this film’s become a cult hit.

This definitely isn’t a film for everyone. But if you like dystopian worlds, this one’s pretty well done.



*While I say it’s unfortunate, given the storyline of people randomly killing others, maybe it’s best that all the victims were as white as the drivers.

Thursday, 6 December 2018

Shout-Out: Stronger, Faster, and More Beautiful by Arwen Elys Dayton

The future is curious.

STRONGER

Today our bodies define us. We color our hair; tattoo our skin; pierce our ears, brows, noses. We lift weights, run miles, break records. We are flesh and blood and bone.

FASTER

Tomorrow has different rules. The future is no longer about who we are--it's about who we want to be. If you can dream it, you can be it. Science will make us smarter, healthier, flawless in every way. Our future is boundless.

MORE BEAUTIFUL

This is a story that begins tomorrow. It's a story about us. It's a story about who comes after us. And it's a story about perfection. Because perfection has a way of getting ugly.

Friday, 26 October 2018

TV Show Review: Colony, Season 1


First aired: 2016

Pros: fascinating premise, interesting characters, difficult choices, fairly diverse supporting cast

Cons: 

No one was prepared for the Arrival, when aliens came and separated the US into small colonies. Now, dissidents are sent to the factories, never to be seen again. When Will Bowman’s attempt to cross into another colony to find his missing son fails, he’s forced to work for the occupation, hunting down a resistance group. He doesn’t realize his wife is part of that group, and he’s just become a huge source of inside information for them.

I love that the focus of the show is on a loving couple and their struggles to survive in this new and horrible world. They’re caring for their two children and both hurting from the fact that they are unable to even look for their missing third.

The show is full of difficult decisions, from finding insulin now that the aliens have decreed that  such medicines should no longer be made so only the strong survive, to who’s worth saving from a resistance standpoint.

Katie Bowman (Sarah Wayne Callies) has to be clever - and dishonest - in order to keep her husband from discovering she’s helping the resistance, which causes a lot of tension in the story, and in their relationship.

The supporting cast is excellent and wonderfully diverse. I was a bit sad that some characters disappear for a while as the focus remains firmly on the Bowman family, but it is nice seeing several POC actors in different roles.

Season 1 kept me guessing and I am really looking forward to jumping into season 2. 

Note, there are 3 seasons and the show has been cancelled.


Tuesday, 28 August 2018

Book Review: Vox by Christina Dalcher

Pros: very fast paced, emotional punch, thought-provoking

Cons: minor things, slightly rushed ending

A year ago life changed for 50% of the US population. Women were kicked out of the workforce and made to wear bracelets that counted their words. When they reached their cap of 100 words, they received an electric jolts of increasing intensity until they stopped talking. Members of the LGBT community were shipped off to ‘camps’.

A year ago Dr. Jean McClellan was a top cognitive linguist researching Wernicke’s aphasia, an ailment that makes it difficult to form coherent sentences. Now she’s a stay at home wife, slowly watching her marriage crumble, her daughter suffer under the word restrictions, and her oldest son become a misogynist.

When the President’s brother has an accident that affects the Wernicke area of the brain, she’s asked to help find a cure, little knowing that there’s another reason the government wants her work.

The book is very fast paced and only look me 2 days to whip through. It’s first person narrative makes the world immediate and the clever use of flashbacks fleshes out the characters and how the US changed so quickly.

Loss of freedom is always an interesting plot device, and this book touches on real fears American women have during the present political climate. The book joins other US dystopian novels that focus on how women could be repressed like Margaret Atwood’s The Handmaid’s Tale, Veracity by Laura Bynum, and When She Woke by Hilary Jordan.

There are some powerfully emotional scenes, some of which were rage inducing, while others made me want to cry. While I often didn’t agree with Jean’s choices, I could understand why she made those decisions and sympathized with her plight.

While the book explained that Wernicke’s aphasia impairs the ability to speak coherently, it would have been good to point out that it doesn’t always impair cognitive abilities outside of communication. I was left wondering if people who had it would be able to function or if they would have to be put into care homes.

There were a few minor issues that annoyed me, like cookbooks being banned when you would expect they would be needed. You can’t remember every recipe or learn new ones without some sort of help. There’s also a scene where Jean had just under 40 words remaining in her day and she had to make a phone call. She prepared her message in advance but used her whole allotment, even though several of the words she used were unnecessary. What if she’d had to respond to a question afterwards? She’d have had to stay silent.

The ending felt a bit rushed in that I would have liked a more complete telling of what happened. I understand why it wasn’t comprehensive, but it felt like the author could have provided an alternate viewpoint or arranged to have a witness describe the event in more detail.

It’s hard to call a book that does so many horrible things a pleasant read, but it was. Normally dystopian novels leave me horrified by how things could go in the real world while this one left me feeling energized, and feeling that the resistance can succeed if good people fight for their rights.

Tuesday, 10 July 2018

Graphic Novel Review: The Furnace by Prentis Rollins

Pros: decent artwork, interesting story, thought provoking

Cons: left with questions

In the future US Department of Gard Administration and affairs needed a new way to deal with the prison population. It created GARD, a ball that hovers 1 meter behind and 1.5 meters above the prisoner, creating a field that renders the prisoner unseen and unheard.

This is the story of Walton Honderich, who must come to terms with how his brief contact with the unfinished GARD program in university affected the rest of his life.

The story starts a bit slow and gains momentum through flashbacks. There’s a fair bit of philosophical dialogue which makes it surprising that so little time is spent debating the ethics of what the GARD program will do. The graphic novel does make you think about it though, the ethics and about how many people along the way could have stopped the program and didn’t.

The artwork is done in a realistic style with subdued colours. It’s not my favourite style, but it’s well done.

The art style and philosophy reminded me of Alan Moore’s V for Vendetta and Watchmen, though maybe a ‘light’ version, as the story isn’t as deep or heavy handed here.

It’s an interesting story and worth a read or two.

Thursday, 17 May 2018

Shout-Out: The Unit by Ninni Holmqvist

Ninni Holmqvist’s uncanny dystopian novel envisions a society in the not-so-distant future, where women over fifty and men over sixty who are unmarried and childless are sent to a retirement community called the Unit. They’re given lavish apartments set amongst beautiful gardens and state-of-the-art facilities; they’re fed elaborate gourmet meals, surrounded by others just like them. It’s an idyllic place, but there’s a catch: the residents—known as dispensables—must donate their organs, one by one, until the final donation. When Dorrit Weger arrives at the Unit, she resigns herself to this fate, seeking only peace in her final days. But she soon falls in love, and this unexpected, improbable happiness throws the future into doubt.

Clinical and haunting, The Unit is a modern-day classic and a chilling cautionary tale about the value of human life.

Thursday, 3 May 2018

Shout-Out: Whisper by Lynette Noni

For two and a half years, Subject 684 --- "Jane Doe" --- has been locked underground in a secret government facility, enduring tests and torture. In that time, she hasn't uttered a single word. Not even her real name. Jane chooses to remain silent rather than risk losing control over the power within her. She alone knows what havoc her words can cause. Then the authorities put her in the care of the mysterious Landon Ward, and Jane is surprised when he treats her like a person rather than a prisoner. Ward's protective nature causes her resolve to crack in spite of her best efforts to resist. Just as Jane begins to trust him, though, a freak accident reveals the dangerous power she has concealed for years. It also reveals that the government has been keeping secrets of its own. Now Jane's ability is at the heart of a sinister plot for vengeance, and she has to decide whom she will trust ... and whom she will help.

Tuesday, 16 January 2018

Book Review: An Excess Male by Maggie Shen King

Pros: brilliant world-building, fascinating diverse characters, interesting premise

Cons: can get very emotionally heavy at times 

The China of this future has a Bounty of unmarried men. Lee Wei-guo is a 44 year old gym owner and coach and the general of the Strategic Games army Middle Kingdom. He’s finally saved enough money for a dowry, but only as a maximum - a third husband. His matchmaker has only found one interested family. The Wus looks good on paper, but Wei-guo’s two dads aren’t convinced. And they’re right. May-ling’s first husband is an undeclared Willfully Sterile, a gay man who, if outed, would lose contact with his son among other punishments. His brother and May-ling’s second husband, Xiong-Xin (who prefers to be called XX), is a potential Lost Boy. He’s an autistic computer security genius with whom May-ling is terrified of having a child through their mandated weekly conjugal sessions, because if their child is also a Lost Boy, the child would be taken from them. As Wei-guo gets to know the family and decides he wants to join it, politics and their personal problems make that outcome less and less likely.

The book shows four points of view, starting with Wei-guo’s and extending to May-ling and her husbands. It’s great seeing the four people, how they interact, why they act the ways they do, what they believe and feel. There’s so much complexity to the situations presented in the book that it’s great seeing the same problems from various viewpoints. It allows you to sympathize with everyone, even as they annoy, betray, anger, and love each other. 

The world-building in the book is top notch. I was impressed with how carefully the author approached this potential future. The government is integrated into so many aspects of regular life, in ways that make public dissension difficult to impossible. Maintaining an aura of party support is second nature to all of the characters, as is reading between the lines of what is acceptable to say/do to understand what people actually mean. It’s a world that becomes more terrifying the more you learn about it. I was glad there was a section explaining how the Helpmates (the women who meet once a week with men to work off sexual tensions) were organized. There isn’t much mention of life outside of China, though the China First party line does frown on foreign wives, if not state sanctioned foreign sex workers. No issue is clear cut. While homosexuality is treated like a genetically inherited disease, those who declare themselves Willfully Sterile and get sterilized have a place in society. The book shows that many gay men hide their status, not willing to leave families or be seen as other by society. It’s a complex issue and it’s handled with the recognition that there are many sides to all difficult issues (even if some of those sides are abhorrent to us and the protagonists). 

I was also impressed by the clarity of language used to explain the thoughts that went unspoken and the acts that went undone. There are no pulled punches over how emotions work and the difficulties encountered when people with different ways of interacting are forced into close relationships. XX’s annoyance at being second guessed by his brother and wife, the difficult choices May-ling must make with regards to her marital vows when considering having XX’s child, Hann’s being a pawn in the games of his company partners, create three dimensional people with problems that seem simple from the outside, but have no easy solutions.

There is a sex scene between May-ling and XX that’s very uncomfortable to read. While it’s graphic, it is also important for understanding a lot of the interpersonal problems the family has.

Elements that I thought were window dressing for the purpose of world-building, for example the strategic games Wei-guo plays, turned out to have a major impact on the story later on, so read carefully.

Obviously I can’t speak to how accurately the author grasped the modern Chinese mindset.


This is a brilliant book.

Friday, 17 November 2017

Movie Review: What Happened to Monday

Directed by Tommy Wirkola, 2017

Pros: great acting, chilling story, antagonists have realistic motivations, thought provoking, action packed

Cons: a little hard to keep the sisters straight

In a future with gross overcrowding, a law is passed stating only one child per couple is allowed. Any siblings born are frozen, to be brought back when the population is under control. When Terrence Settman’s daughter dies birthing septuplets, he takes the girls and raises them - named after the days of the week - to be Karen Settman on their day. When Monday doesn’t come home one day, the others fear they’ve been discovered by the Child Allocation Bureau.

I’ve always been impressed by actors who can play multiple interacting rolls in a film. Noomi Rapace, playing 7 characters, does a brilliant job. She gives each sister a slightly different behaviour, which, combined with costuming, helps keep them straight. Having said that, I still had some trouble with this when there was a group of them together.

The setting was chilling, and chillingly realistic as a possible future. While Nicolette Cayman (Glenn Close)’s one child policy seems heartless, it’s an unfortunate truth that over population is a problem and it’s difficult to come up with humane solutions. I suspect if this sort of policy becomes necessary globally, other social changes would have to come with it (religions would need to de-emphasize large families, social safety nets would need to be improved to help the elderly so they don’t need several adult children to support them, etc.). The film’s dependence on a single policy, without further societal pressures, is untenable.

I loved that the antagonists have realistic motivations for what they’re doing. While the majority of CAB officers are just doing their jobs, Cayman knows what she’s doing, and that it’s an unfortunate necessity. Similarly, when you finally discover why the siblings have been targeted, it does make sense, even if you consider other options may have worked better.

There’s a surprising amount of action - and a diversity of it. There’s a chase scene, explosions, even a bit of romance.


This is a great, thought-provoking film.   

Thursday, 16 November 2017

Shout-Out: The Dark Intercept by Julia Kelier

When the state controls your emotions, how hard will you fight to feel free?
In a radiant world of endless summer, the Intercept keeps the peace. Violet Crowley, the sixteen-year-old daughter of New Earth's Founding Father, has spent her life in comfort and safety. Her days are easy thanks to the Intercept, a crime-prevention device that monitors emotion. But when her long-time crush, Danny Mayhew, gets into a dangerous altercation on Old Earth, Violet launches a secret investigation to find out what he's hiding. An investigation that will lead her to question everything she's ever known about Danny, her father, and the power of the Intercept.

Much like the device itself, The Dark Intercept will get under your skin.

Thursday, 19 October 2017

Shout-Out: The Innocence Treatment by Ari Goelman

You may believe the government protects you, but only one girl knows how they use you.

Lauren has a disorder that makes her believe everything her friends tell her-and she believes everyone is her friend. Her innocence puts her at constant risk, so when she gets the opportunity to have an operation to correct her condition, she seizes it. But after the surgery, Lauren is changed. Is she a paranoid lunatic with violent tendencies? Or a clear-eyed observer of the world who does what needs to be done?

Told in journal entries and therapy session transcripts, Ari Goelman's The Innocence Treatment is a collection of Lauren's papers, annotated by her sister long after the events of the novel. A compelling YA debut thriller that is part speculative fiction and part shocking tell-all of genetic engineering and government secrets, Lauren's story is ultimately an electrifying, propulsive, and spine-tingling read.

Tuesday, 12 September 2017

Book Review: Broadcast by Liam Brown

Pros: terrifying yet plausible premise

Cons: things go predictably badly

Vlogger David Callow meets with the creator of OptimiZer, Xan Brinkley, and is offered the staring role in a new entertainment program. The show is called MindCast and will broadcast what David’s thinking, 24 hours a day, 7 days a week.

David is a fairly apathetic character when the book starts. He doesn’t really care about anything other than the number of views and likes his videos get, barely paying attention during the meeting that changes his life. He’s not particularly satisfied with the way his life is going, though he projects an image for his fans of a life that is fun and glamorous. So it’s interesting seeing him come to a slow realization of what having his thoughts projected to the world means with regards to his privacy, his safety, and his sense of self.

I was shocked by how few questions David had about the program. While he doesn’t seem to care about his privacy in general, he never asks how things like going to the bathroom or having sex would be dealt with. David is oblivious to the potential downfalls of having everyone able to see his thoughts at all times, so the conversations that point out how this technology can be used or abused are interesting. Even more interesting are the early unexpected side-effects, some of which I hadn’t considered.

While the main plot of the book is fairly predictable, the book’s premise, that some people can be so enamoured of themselves that they’ll give up all privacy in return for fame, is believable. And the results of such an act, are as horrific as you can imagine. You feel a real sense of dread as the book progresses, for a variety of reasons.


It’s a fairly short book and is an entertaining cautionary story.

Thursday, 15 June 2017

Shout-Out: Want by Cindy Pon

Jason Zhou survives in a divided society where the elite use their wealth to buy longer lives. The rich wear special suits, protecting them from the pollution and viruses that plague the city, while those without suffer illness and early deaths. Frustrated by his city’s corruption and still grieving the loss of his mother who died as a result of it, Zhou is determined to change things, no matter the cost.
With the help of his friends, Zhou infiltrates the lives of the wealthy in hopes of destroying the international Jin Corporation from within. Jin Corp not only manufactures the special suits the rich rely on, but they may also be manufacturing the pollution that makes them necessary.
Yet the deeper Zhou delves into this new world of excess and wealth, the more muddled his plans become. And against his better judgment, Zhou finds himself falling for Daiyu, the daughter of Jin Corp’s CEO. Can Zhou save his city without compromising who he is, or destroying his own heart?

Thursday, 8 June 2017

Shout-Out: The Moon and the Other by John Kessel

In the middle of the twenty-second century, over three million people live in underground cities below the moon's surface. One city-state, the Society of Cousins, is matriarchy, where men are supported in any career choice, and can have all the sex they want, but no right to vote-and tensions are beginning to flare as outside political intrigues increase. After participating in a rebellion that caused his mother's death, Erno has been exiled from the Society of Cousins. Now, he is living in the Society's rival colony, Persepolis, when he meets and marries Amestris, the defiant daughter of the richest man on the moon. Mira, a rebellious loner in the Society, creates graffiti videos that challenge the Society's political domination. She is hopelessly in love with Carey, the exemplar of male privilege. An Olympic champion in low-gravity martial arts and known as the most popular bedmate in the Society, Carey's more suited to being a boyfriend than a parent, even as he tries to gain custody of his teenage son. When the Organization of Lunar States sends a team to investigate the condition of men in the Society, Erno sees an opportunity to get rich, Amestris senses an opportunity to escape from her family, Mira has a chance for social change, and Carey can finally become independent of the matriarchy that considers him a perpetual adolescent. But when Society secrets are revealed, the first moon war erupts, and everyone must decide what is truly worth fighting for.

Thursday, 25 May 2017

Shout-Out: The Ship by Antonia Honeywell

London burned for three weeks. And then it got worse...
Young, naive Lalla has grown up in near-isolation in her parents' apartment, sheltered from the chaos of their collapsed civilization. But things are getting more dangerous outside. People are killing each other for husks of bread, and the police are detaining anyone without an identification card. On her sixteenth birthday, Lalla's father decides it's time to use their escape route--a ship he's built that is only big enough to save five hundred people.
But the utopia her father has created isn't everything it appears. There's more food than anyone can eat, but nothing grows; more clothes than anyone can wear, but no way to mend them; and no-one can tell her where they are going.