Showing posts with label Jo Anderton. Show all posts
Showing posts with label Jo Anderton. Show all posts

Wednesday, 4 July 2012

Book Review: Suited by Jo Anderton

Pros: learn more of the greater story (puppet men's origins, etc.), lots of action

Cons: Tanyana's character starts to grate, climaxes twice

Following directly after the events of Debris, Suited begins with Lad and Tanyana following the voice of the Keeper into ever more dangerous situations.  When they fail to reach their debris quota twice because of their other activities the collecting team is split.  With Kichlan on one team and Tanyana and Lad on the other, Tan vows to keep Lad safe.  Debris is hard to come by, and the new teams are scared of further repercussions from the Veche.

Meanwhile, Tan and Kichlan are asked to join an underground movement to stop the Veche and help the Keeper.  By releasing debris.

The opening is a rehash of the previous book, as discussed by two puppet men.  It reads oddly, as it's clear the characters both know what's happened and are talking about it for no purpose except for the reader to get caught up with the story.

There are several new subplots in this book, as well as revelations about a few character's backgrounds.  It was nice to learn more about some of the supporting cast, and realize that they have their own motivations for keeping outside the Veche's radar.

The relationship between Tan and Kichlan heats up.  This was something I was hoping to see after the first book, though I wasn't happy with how it played out.  While Kichlan was open and trusting, Tanyana went out of her way to hide quite a number of things from him.  Relationships can't work without trust and respect, and she gave him neither while expecting both.  As such, his attitude towards her at the end of the book didn't surprise me.

The book seemed to climax at the three quarter mark, with an important event.  I thought it was going for a long denoument (which I tend to find wearying), but then ramped up for another climax, with even more devestating consequences.  It is during this period of the novel that we finally learn more about the puppet men, what they are and what they're trying to achieve.

I wasn't very happy with the ending, especially Tanyana's lack of concern for anyone but herself and Kichlan.  However, the revelations at the end intrigued me enough that I'll likely pick up the next book to see how things turn out.

Tuesday, 18 October 2011

Book Review: Debris by Jo Anderton

Pros: fascinating world, strong female protagonist

Cons: slow pacing

Tanyana is an extremely talented architect, manipulating pions to create a huge sculpture of Grandeur for the Veche, when disaster occurs.  Angry red pions, a kind she's never seen before, attack the statue and her, causing her to fall from a terrible height.  When she awakens, her ability to see pions has disappeared, instead she can now see debris, the by-product of pion work.  No one but her believes that her fall was anything but an accident.

I don't generally like character driven stories.  I find that half way through I get bored with the protagonist and want to see more plot.  Debris did not have that problem.  Tanyana Vladha is a strong, and strong-willed, protagonist.  She's feisty without being bi*chy, able to ask for, and accept, help from others, even if she doesn't particularly want to.  And despite the changes in her life she never forgets what happened, and never stops trying to find out more - advancing the plot just enough to keep things interesting.

Having said that, the pacing is fairly slow, allowing you to fully immerse yourself in the world.  This didn't bother me much, as I liked the characters and there was enough plot to keep me interested, but I suspect others will find that the story drags at points. 

I was a little surprised by the nature of her relationship with Devich, the technician who helps her become a debris collector and thought Tanyana made a few unwise decision with regards to her life post accident.  But given her trauma, it's understandable that she'd want to hold onto the things of her success and fall for a guy who's understanding and convinced she hasn't really fallen from her former position.

The publisher pegs this as science fiction.  The only real science could be the idea that pions are atoms, but their manipulation, the collection of debris and the world itself feel more like fantasy.  

It's a promising debut.

Friday, 7 October 2011

Author Interview: Jo Anderton

Novel: Debris

Short Stories: listed here


> What is Debris about? 

Debris is set in a world where everyone can work a kind of magic by manipulating sub-atomic particles with their mind. At the beginning of the book Tanyana is very skilled at this, and she earns a lot of money by doing so. However, she is involved in a terrible accident that scars her body, and strips her of her abilities. She is forced to the lowest rung of society, collecting debris -- the garbage created by all that manipulation of sub-atomic particles. But nothing is quite what it seems. Was her accident really so accidental? Is debris more than the waste product everyone else thinks it is? Tanyana fights to learn the truth, and discovers a world she could never have imagined.

> You've written and published a number of short stories while Debris is your first novel. Beyond the matter of length, do you find it easier writing short stories or novels?

Writing novels and short stories has always felt like using different muscle groups. Working on both keeps the overall body healthy. Novels build stamina, short stories are all about discipline. I wouldn't say one is easier than the other, just that they are different, and I like to keep a balance between the two.

>Your writing alternates between science fiction, fantasy and horror.  Which genre is the hardest (or easiest) to write and why?

Horror seems to come naturally to me (I wonder what that says about me?) so in a way I find it the easiest genre to write. It's like an addiction -- I feel so much better if I just have a little fix of something horrific! I've started all sorts of stories that have turned into horror by the end, even romance. The hardest genre for me is always science fiction. I worry about getting the 'science' part right. So I tend to sneak a bit of horror in my Sci-Fi stories, just to calm the jitters.

> Did your day job as the marketing coordinator for a book distributor help with regards to learning about the book industry and getting published?

Yes and no. My day job has taught me a lot about what happens 'on the other side' of publishing, and it's great to go into this with that knowledge and support. I wouldn't say it's helped with the getting published part -- apart from teaching me to be patient! I know how busy publishers are (I sit opposite one, and let me tell you, publishers are flat out busy all the time, and wonderfully dedicated to their authors and their books).

> What made you want to be a writer?

Stories. I've always been addicted to stories. As a kid I used to get lost in the stories in my head and I've never really grown out of that. Writing is my way of getting the stories out -- I stick a pen in my hand, or a keyboard under my fingers, and set them free.

> In the book and short stories you’ve written, who is you favourite character and why?

You want me to play favourites? What if my other characters find out and stop co-operating? Okay, well in Debris I can't help but love the main character, Tanyana. She's arrogant, she's opinionated, damned stubborn and strong too. Get on her good side, and she'll be loyal to you for life. Piss her off and...well...don't piss her off. I also love Lad. He's a large, volatile man who seems simple and child-like on the surface, but is hiding some of the book's biggest secrets. I love his honesty and earnestness. He made me laugh, and cry, more than anyone else.

> What is your university degree in and does it help with your writing?

I graduated with a Bachelor of Arts, majoring in English Literature and Modern History. Strangely enough, I learned the most about writing from studying history. I loved drilling down through what happened to why it happened, and I think that's vital to the creation of characters, worlds, and the stories themselves. What happens is just the surface, why it happens is what really matters.

> When and where do you write?

Evenings and weekends are my writing time. I've got myself set up in a study at home. Unfortunately I'm not very good at writing 'anywhere' or 'anytime', thanks to a persistent back injury. The idea of sitting in a café chair and typing on a laptop makes me hurt just to think about! And regular breaks are a must. I need to get my arse out of the chair at least every hour, and move, and stretch, do a bit of yoga or go for a quick walk.

> What’s the best/worst thing about writing?

The best thing is the good writing days -- when I'm not even aware of typing any more, because I'm there, in that world, with those people, and they feel just as real as the so-called 'real world'. Woe to anyone who tries to disturb me on a good writing day! The worst thing is all the damned sitting.

> Do you have any advice for hopeful authors?

Write. Revise. Join a writing group and get feedback from other writers. Listen to what they have to say. Revise some more. Keep writing. Above all, keep writing.

> Any tips against writers block?

Exercise. For me, the best thing is to get away from the screen/paper, get outside, and run. If you don't want to run, at least walk. Don't go to a gym either, get some open sky and fresh air and green into you. It does wonders.

> How do you discipline yourself to write?

I'm a creature of habit. If I have a nice routine going, I can stick to it. When my routine gets disrupted, then I run into difficulty, and I just have to force myself to get off the couch and back to the desk. I use food rewards (like I do for my dog!) and tea rewards to make it easier. "Write a thousand words and you can have a piece of chocolate and a peppermint tea. Come on Jo, that's a good girl."

> How many rejection letters did you get for your first novel or story?

I stopped counting them a long time ago! About the same time I learned to love them. Rejection letters are great, they mean you're writing, and submitting, and writing more, and submitting more. And that's all good.