Book Review: The Enchanted Greenhouse by Sarah Beth Durst

Pros: sweet story, gorgeous and inventive setting, interesting magic

Cons:

Cursed to become a statue for performing an illegal act of sorcery, Terlu is surprised to be awakened in a snowy forest. She finds herself on an island full of enchanted greenhouses whose magic is failing. Their keeper, Yarrow, believes she can fix them, but she doesn't know how to and isn't sure it's worth the risk of performing more illegal magic.

I loved the book. It's the second in the Spellshop series but stands alone very well. I haven't read the first book yet, but plan to after reading this. The stakes were mostly low key, so I never felt stressed about how the plot would be resolved. And I really needed to read something cozy and unstressful. The few tense moments the book had were filled with hope and heart and people doing their best, working together in difficult circumstances. Terla and Yarrow were both honestly good characters who wanted the greenhouses to survive for each other to be happy. The food Yarrow cooked sounded delicious, though I did start to wonder why everything tasted like spring or summer to Terla.

While the idea of greenhouses on their own isn't inventive, Durst fills them with a mix of practical garden vegetables, beautiful flowers, and exquisite magic. Some of the rooms and the creatures within are wondrous and I'd love to visit for real and see them for myself. The sentient plants were a mix of fun and annoying, but I love the idea of them and enjoyed the variety of personalities on display. I loved how magic worked in this world. As someone who's studied several languages, it was neat seeing Terla parse the various meanings words can have and experiment with spells. I loved the winged cat and feel that more fantasy worlds should include them.

The romance was understated and sweet. It progressed naturally and felt measured. There's nothing on the page beyond a few kisses and cuddles, making this appropriate for YA and adult audiences. It is LGBT friendly, with one lesbian couple showing up a side characters later in the book.

If you're looking for a feel good romance with a lot of plants and no spice, this is for you.

History Book Review: Ancient Nubian Art: A History by Rita E. Freed

The book consists of 8 chapters in addition to the introduction: Beginnings; Expanding World: A-Group; C-Group and Pan-Grave Cultures Move In; Nubia’s First Empire: Kerma; An Interlude with Egypt; Nubia’s Second Empire: The Napatan Period; Nubia’s Third Empire: The Meriotic Period; and Beyond the Meroitic Empire. There’s a forward by Henry Louix Gates, Jr. that explores what Nubia and Egypt meant to enslaved Africans in America, and why learning about ancient African nations and their accomplishments was so important to black Americans.

The book follows the chronological history of Nubia, as we can piece it together through archaeological evidence. The early chapters are fairly short, as there isn’t much evidence or material objects. There are at least a few photos per chapter illuminating the text. The chapters get more detailed as empires rose, since they left significantly more behind. The book constantly compares the artwork, homes, clothing, and habits (as well as can be determined) to the more well known Egyptian one. So we’re told that Egyptian artwork is more formulaic, while Nubian artwork has more of a naturalistic look, with freer forms and curvier figures. I was especially interested to learn the ways Nubian metalworkers experimented with enamel to create mixed forms much earlier than appeared elsewhere in the world.

In addition to images of artworks, the book also has some floor plans for palaces and temples, diagrams of houses, etc.

It’s fascinating learning about such a little known culture. Their artwork deserves to be known in its own right, separate from that of Egypt. Hopefully this book will encourage people to learn more about the Nubians and their culture.

Books Received in January 2026

My thanks to Yale University Press for allowing me to read an advance copy of Ancient Nubian Art: A History, by Rita E. Freed. It's an interesting look at an ancient African nation that's been largely overlooked due to its proximity to Egypt. While it had periods where the artwork of the Nubians was similar to that of the Egyptians (due to the nations conquering each other), Nubian art also has a lot of originality to it that's worth studying in depth for its own sake. The book can be dry and academic at times, but it has some great artwork. I'll be posting my review of it in a few days.  

Lushly illustrated with stunning artifacts, this volume is the first comprehensive and accessible publication to explore the art, architecture, and material culture of ancient Nubia.

Kings and queens of Nubia reigned over one of the largest empires in the ancient world and had contacts extending north to Greece and Rome, south to sub-Saharan Africa, east to the Red Sea, and west across much of the Sahel. Even a quick look at Nubia’s artifacts reveals the incredible creativity of its artists, architects, craftspeople, and thinkers. Despite their significance, the achievements of ancient Nubia are little known to the public and are often viewed as a subculture, a derivative offshoot of Egypt, Nubia’s northern neighbor. Nothing could be further from the truth. During its over eight-thousand-year lifespan (beginning around 8000 BCE), Nubia indelibly shaped the art and architecture of the ancient world, an influence still felt today.

Ancient Nubian Art is the first comprehensive and accessible treatment of Nubian artistic culture and showcases its vast range—from ceramics, sculptures, and jewelry to tombs, temples, and palaces. Rita E. Freed, curator emerita at the Museum of Fine Arts, Boston, which has the largest collection of Nubian artifacts outside the Nile Valley, contextualizes the development of Nubian art against a vivid backdrop of kingship, power, worship, identity, gender, technology, and internationalism. Her text is accompanied by a foreword by Henry Louis Gates Jr. and sidebars by expert voices from the field.