History Book Review: The Medieval Scriptorium by Sara J. Charles

The book consists of seven chapters, not including the introduction and conclusion. The chapters are: 1. The Beginnings, 2. Monasticism and Manuscript Production in the West, 500-1050, 3. Locus Scribendi - The Place of Writing, 4. Material World: Parchment and Ink, 5. Illumination and Painting, 6. The Twelfth-Century Renaissance, and 7. The End of the Scriptorium. The book ends with a short glossary, references, further reading, and photo acknowledgements.

Each chapter starts with a fictional first person account of a worker detailing some aspect of manuscript creation. I’m not usually a fan of this kind of thing, but here it helped put me into the correct mindset that I was dealing with a different time and place, and to really let me experience that world for a moment.

The book provides a fantastic overview of how manuscripts changed over the centuries. The author mentions different fonts and decorative elements (various types of pen flourishes, illustration styles, etc). She goes into a lot of detail for how inks and parchment were made (and she’s tried making some herself, which she has documented on her Teaching Manuscripts website and blog). 

The book has a decent number of photos, but given the highly visible nature of the topic, there are more referenced than have been included, which you can look up on your own. Here’s where the ebook is an advantage, as I could cut and paste the references straight into my browser to see the manuscript being discussed. There were a lot of these, so I didn’t look them all up, only ones with elements I was interested in, or wanted the visual to understand the text better. Unfortunately, occasionally the manuscript wasn’t digitized, so unless wikipedia or an article brought up the specific image mentioned in the text, I was out of luck seeing it (ex: Lincoln Cathedral MS 147, fol. 15v. I found a single cropped image of another page on a Lincoln University article via google but not the one referenced). Often the author will give more than one reference though, so if one image isn’t searchable another one likely is.

The language is very clear, making this an enjoyable read. The breadth of information is wonderful. If you’re interested in manuscript production, medieval inks, and how manuscripts changed over time, this is a great resource.