Cons: a bit repetitious
Mary Magdalene is a fascinating saint. From simple origins, a few mentions in the New Testament, to becoming amalgamated with other New Testament Marys, to having a variety of stories about where she spent her later years (Ephesus or France), being a sinner, a penitent, a preacher, a feminist icon, her story is constantly evolving.
The book starts with an introduction before separating into two parts. Part One: Towards a Visual History, consists of 7 chapters (Scripture Sources, Patristic Sources, Eastern Christian Narratives & Traditions, Western Christian Narratives & Traditions, Symbols & Devotions, Mary Magdalene through Christian Art, and Coda). This part examines what the scriptures say about the various Marys that were amalgamated into the story of Mary Magdalene and how ‘her’ story was depicted in art through the years. The second part, Motifs, consists of 10 chapters that analyzed specific aspects of Mary Magdalene, and how those were depicted in art (Sinner/Seductress, Penitent, Anointer, Weeper, Witness, Preacher, Contemplative, Reader, Patron, and Feminist Icon). These are short chapters, of 3 to 5 pages each, with 1 to 2 photographs highlighting their subject. The book concludes with an afterward that mentions exhibitions focused on Mary Magdalene and a select bibliography for further reading.
I found the introduction fairly repetitive and a bit harder to parse than the rest of the text. Part one had some great foundation information about how Mary’s story began and developed. It was really interesting seeing how parts of her legend came about. The chapters were thorough and easy to read. While each chapter in part 2 was short, the author packed a lot of great information into them, including mentions of her in early Christian and apocryphal writings. There’s some repetition here as well, though I suspect it’s so each chapter stands on its own. There were occasional page notes with sources for other articles and books to read for more information and a few explanatory notes.
The book has a lot of excellent colour photographs that demonstrate the points the author is making. They cover the variety of motifs Mary Magdalene was used to represent, as well as the various periods during which she has been worshipped.
If you’re interested in Christian saints in general or Mary Magdalene in particular, it’s a fantastic book.
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