That Thing at the Zoo (e-novella)
Blood and Bullets
Spider's Lullaby (e-novella)
Blood and Silver
Stories:
Hired Gun (collection)
"He Stopped Loving Her Today" in One Buck Zombies
"Shop 'Til You Drop"
"Twas the Fright Before Christmas"
Website: jamesrtuck.com
> What can readers expect from your Deacon Chalk: Occult Bounty Hunter novels?
Guns, monsters, heroes, action,
thrills, chills, spills, sacrifice, a new look at a supernatural
world, a different kind of hero, action AND adventure.
The Deacon Chalk books are a
rollicking, thrill-ride of kickass. They are dark, and scary, and
violent, and apparently funny too.
I would recommend my books for someone
who is looking for something different in the urban fantasy genre. I
wrote them from the idea of: "If these things existed, if
monsters were real, then what kind of man would hunt them for a
living?" The answer is a man like Deacon. He's damaged,
dangerous, and deadly. He has a laundry list of issues inside himself
from the loss of his family five years ago at the hands of a monster,
his choice of lifestyle which drives him to do horrible things to
keep humanity safe, and his personal desire to die and be with his
family but his religious conviction that he cannot kill himself or he
will be separated from them for eternity. He's a complicated hero.
I love the genre of urban fantasy so
when I decided to write a book it was the genre I wanted to start
with. I write dark urban fantasy because I was tired of reading books
where everyone is safe and you know they will be safe at the end of
the book. Most urban fantasies you read almost have a Happily Ever
After, and they pull back from truly putting the characters in any
danger. Not my books. In my books all bets are off and NO ONE is
safe. It's a dangerous world in the Deaconverse. Here there be
monsters and the monsters are vicious and cruel and powerful. My
characters get hurt, things change drastically for them, people die.
Don't become attached to anyone because they are soldiers in a deadly
war and there will be casualties. I write these as if the events were
real and give them the consequences that would happen in the world if
they were.
> Why did you decide to epublish
several novellas, both in and out of the Deaconverse?
The novellas are a great way to put
story in the hands of the readers for a VERY affordable price. Plus
the books happen about 6 months apart from each other on the timeline
and the novellas really help to bridge that gap. Each one of them is
a nice stand-alone story, you can read them in any order or alone and
they are complete from beginning to end, however if you read from
THAT THING AT THE ZOO (e-novella 1) then follow straight
through to the end of book 3 next year then you will have one long
story that will be like the first season of a really kick ass urban
fantasy television show. And let me tell you, the character you meet
in THAT THING AT THE ZOO is not the same man you find at the
end of BLOOD AND MAGICK (novel 3 March 2013)
> What made you want to be a writer?
A really terrible urban fantasy that
was supposed to be an awesome, dark, violent, gritty urban fantasy. I
read it, put it down, and said out loud "I can write better crap
than THAT." Then I looked into how to write a novel and found
Lilith Saintcrow's writing advice blogs, read them all, and realized
that I could write a novel. So I did. That became BLOOD AND
BULLETS (novel 1).
> Who is you favourite character from the Deacon Chalk universe and why?
I love them all. There is a lot of me
in Deacon. He is closest to my voice and my viewpoints on the world.
But I love the supporting cast. Charlotte the Were-spider is a scene
stealer. She is a huge fan favorite. She is both terrific and creepy
when she is in full-on spider lady mode. I like Tiff a LOT. You get
to see her as she transforms from a fairly immature young woman into
someone who not only knows who she is but also what she wants. And
her being human means she interacts with the craziness of the
Deaconverse much differently than Deacon or any of the other
supernatural cast and crew. And what's not to love about Father
Mulcahy? The foul-mouthed, chain smoking, coffee-swilling, whiskey
drinking Catholic priest that is mentor and father figure to Deacon.
I love writing him because I am not writing him as a joke. A lot of
people add a priest into a book that is as dark and supernatural as
this one and they either go for the funny or make him some sort of
comment on the Catholic church. In my books he is a real character.
He is a man with a dark, terrible past who is honestly working to
atone for his sins and truly is a convicted religious man. His faith
is grounded in the reality of the world he lives in, monsters and
all. And in this new book you get to meet some NEW characters that I
think readers are going to really enjoy.
> If you could, would you change places with any of your characters?
NO. Absolutely not. All my characters
have suffered great tragedy and loss. They have to give so much,
sacrifice sometimes everything they hold dear because of the world I
have put them in. I would not want to be them, not even for a moment.
I will stick to my quiet life with my wife and children. :)
> What were your literary influences for BLOOD AND SILVER?
> What were your literary influences for BLOOD AND SILVER?
My early influences are Robert E.
Howard who wrote the Conan stories, and Don Pendleton who
wrote the Mack Bolan stories. You can see both of those in my
writing. I am also pretty heavily influenced by Lilith Saintcrow. She
writes nice, dark characters and NOBODY writes an action scene that
reads so much like poetry like she does in her Jill Kismet
series. I love the Sonja Blue series by Nancy A. Collins and
think she is one of the early pioneers in the genre of urban fantasy.
Simon R. Green, Steve Niles, Richard Kadrey. I am a HUGE Laurell K.
Hamilton fan. Jim Butcher's Dresden Files are on my must read
list. I get every new one.
> Beyond the matter of length, do you find it easier writing short stories, novellas or novels?
I am a huge novella fan. I like the
length of them and think they give you just enough room to hit your
stride as a storyteller but are short enough to keep you on task. I
like the way a novel gives you the ability to really flesh out your
story and character, but a novella is a clean, sharp cut.
> What's the first novel (published or unpublished) that you wrote and how long did it take to write it?
BLOOD AND BULLETS was my first
novel. It took me about 9 months to write and revise. I was writing
by the seat of my pants for some dumb reason, just letting the story
flow. Now I outline and I have really picked up my pace. I just wrote
book 3 and e-novella 3 in about 2 months.
> What was the hardest scene for you to write?
There is a scene in the new book BLOOD
AND SILVER that I wrote with tears in my eyes and a lump in my
throat. I certainly hope it affects the reader the same way.
> When and where do you write?
I am pretty mobile. I write on my
laptop, the desktop at work, the desktop at home, just wherever I am
and have time. I also write at different times. Lots of late
night writing sessions and a lot of writing between 2 and 7 pm at the
tattoo shop I own. I just go in my station between customers and
write.
The neatest tattoo...hmmmm. I've been a
professional tattoo artist for over 16 years now and I have done a
ton of really cool tattoos. I am blessed with a clientele that does
let me do a lot of my original artwork on them. I've done big tattoos
and small tattoos and a LOT of tattoos that I didn't care about at
all. (Sometimes you are making art, sometimes you are paying the
electric bill.) But my neatest? I think that would be a small star
with the face of Andre the Giant in it. It's the Obey star by artist
Shepard Fairey. About nine years ago a gorgeous woman came into the
shop I was working at and wanted that tattooed on her arm. We talked
during the process. It was small, took only 20 minutes, but she was
charming and funny and intriguing. Plus, as I mentioned before, she
was a knockout. One thing led to another and at the end of the tattoo
I got her phone number. We've been married now for over 8 years. So
that would be the neatest tattoo I ever did.
> What’s the best/worst thing about writing?
I love everything about writing. I
really do. I enjoy writing the first draft, coming up with all the
ideas. I even enjoy revision and copy editing. Most writers find copy
editing to be tedious and nightmarish, but I truly look forward to
it. I also love being a writer. Going to a convention and meeting a
reader, talking to other authors, discussing publishing with industry
professionals, meeting bloggers and reviewers, it's all a blast.
The worst thing is trying to remember
character's eye colors. lol.
> What is something you didn’t
know about the publishing industry before you had your first book
published?
How LONG everything takes. Publishing
moves really slow. Write a book and sell it and it might hit the
shelves a year later. You have to be patient in this gig. Write your
ass off and bring your long game.
> Do you have any advice for hopeful authors?
Four words: HEAD DOWN, MAKE WORDS. You
have to consistently write. If anything is more important then just
go do that. You may find you need a certain time, a certain word
count, a schedule, you may free form it...whatever works for you, but
you cannot let more than a few days go by without writing. A lot of
writing is just having the disciple or stubbornness to simply put
your ass in a chair and type.
Oh, and go read Lilith Saintcrow's
writing advice on her blog and pick up THANKS BUT THIS ISN'T FOR
US by Jessica Page Morrell. It is HANDS DOWN the best book on
writing I have ever read (and I have read a LOT). Lilith Saintcrow
taught me I could write a book. Jessica Page Morrell taught me how to
write it well. I do credit that book for my series selling. And
remember kids, I sold the FIRST book I ever wrote to a major
publisher in a 3 book deal without an agent. I credit that book as
the reason why. I cannot overstate this. If you only buy one book on
writing ever it should be that book.
> Any tips against writers block?
Realize it doesn't exist. Okay, it does
exist. If you get in an accident or a barfight and break all the
fingers on both hands THEN you can claim writers block. Other than
that you have the ability to write. You may have STORY block,
especially if you are a "seat of your pants" writer. If you
are just letting your story come to you without an outline or a
synopsis then you will probably suffer from story block. When that
happens change your game. Get up, move around, motion creates
emotion. Go for a walk WITHOUT headphones, go for a drive without the
stereo on. Don't clutter up your head with distraction and lyrics and
music. Make your body move in a way that your mind doesn't need to
think and then it will disengage and feed on what you put there last
which will be the story you are working on. It won't take long for
your brain, that wonderful chemical super computer that God stuffed
between your ears, to do some calculating and spit you out a new way
to go in the story.
> How do you discipline yourself to write?
I sit down in front of a computer that
is on, open up the document, make a few notes about what I want to
accomplish in the next chapter, and then BANG! KAPOW! ZOOM! I am off
and typing.
Oh, and turn off the internet. It is
nothing but a waste of time. You do not need that devilspawn timesuck
up and running seductively in the background with it's siren call of
"it's been 2 minutes you should check your email or see what
your friends are doing online".
> How many rejection letters did
you get for your first novel or story?
I emailed about fifty queries to
different literary agents seeking representation. I had some requests
for partials but all of them came back with a rejection or no
response at all. Even after my publisher made the offer I still got
rejected by agents. Contract in hand I had no one say yes. So, I am
proof that it can be done on your own if you work hard and try to be
smart. Persevere. Keep writing. Keep submitting. You will get there.
Chase your dreams and when you catch them you handcuff your self to
them so they can't get away!
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