Sins of the Angels
Sins of the Son
Website: www.lindapoitevin.com
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What is The Gregori Legacy series about?
The
Grigori Legacy series marries angel mythology with police
procedural in a dark urban fantasy/thriller. If you're a television
fan, it's rather like Supernatural meets Law
& Order SVU. In book one, Sins of the Angels,
Toronto homicide detective Alexandra Jarvis is tracking a serial
killer who turns out to be a fallen angel. When Heaven assigns its
own angelic hunter to track the same killer, Alex struggles to come
to terms with a new reality that brings old memories back to haunt
her — and to prevent the killer from triggering the Apocalypse.
Sins of the Son picks up with Alex being thrown into the role
of protector over the divine being who is supposed to save humanity
— only to find herself even more enmeshed in the events
unfolding between Heaven and Hell, and in direct opposition to the
same heavenly hunter she worked with in the first book.
The
"what if" questions leading to the series were originally
inspired by the movie City of Angels. I loved the idea of
invisible beings working among us and I wanted to explore the
logistics of an angelic world existing alongside our own, and to
examine the idea of free will -- why would we have free will and
angels not? When I began my research, the more I discovered of angel
mythology, the more fascinated I became. I'd had no idea of the sheer
scope of angel lore until then, and the story possibilities seem
endless.
> How have your connections with the police (as a civilian dispatcher and via your police officer husband) affected your writing and influenced the character of Homicide detective Alexandra Jarvis?
I've
worked with and known a great number of police officers over the
years, and so writing a police character feels very natural for me.
While Alex's character isn't directly built on anyone in particular,
she very much reflects the dedication and professionalism I've seen
in the female officers I've been privileged to know -- as well as the
humanity and fallibility. As for the writing in general, my husband
has acted as my personal reference system and beta reader, so I can
state with relative confidence that the police procedural aspects are
accurate. And I can blame any mistakes on him. :)
> What were your literary influences for The Grigori Legacy?
Because
I read so widely and eclectically, I think my writing in The
Grigori Legacy has been influenced by a number of genres. I
greatly admire how authors such as Stephen King and Dean Koontz build
suspense; I love the multiple points of view used in many thrillers;
I've taken great pains to study how various writers handle backstory
in a series/sequel (Jim Butcher is a particular favourite for this);
and I've always been a sucker for a good love story. This might
explain why some readers think of The Grigori Legacy as
primarily a thriller while others comment on its mystery and/or
horror aspects and still others read it for the romantic elements.
> What's the first novel (published or unpublished) that you wrote and how long did it take to write it?
I'm
going to assume that you mean the first one I actually finished,
lol -- and that would be a romantic suspense entitled
Renegades (which remains unpublished and probably always
will!). That one took me about a year and a half...a paltry amount of
time in comparison to the ten-plus years it took to write Sins of
the Angels.
To
date, the most difficult was one of the murder scenes in Sins of
the Angels. I'd never written anything quite that graphic before
and it took several tries to make myself "go there" so that
I could give it the depth and detail it needed. Scenes involving
Lucifer in Sins of the Son have been nearly as difficult,
especially the ones in his point of view -- inside Lucifer's head is
not a nice place to be!
> When and where do you write?
I
write best in my local coffee shop where there's no Internet
connection, but that gets expensive, so I'm working on disciplining
myself to work at home. Now that two of my daughters have moved out
on their own, I have a dedicated home office (with a door!), so that
helps. I try to keep to a regular schedule of mornings as I'm at my
most productive while the caffeine is still fresh in my system. My
routine works best if I rise at 5 a.m., feed the animals, walk the
dog, have breakfast, and can be at my desk by 7:00 for about 4 hours
of writing.
> What’s the best/worst thing about writing?
The
best thing is being able to set my own schedule. That would be the
worst thing, too, because I'm extraordinarily good at
procrastinating.
> What is something you didn’t know about the publishing industry before you had your first book published?
I
had no idea the process was so involved...or that it involved so many
people. There are editors, copy editors, proofreaders, art directors,
artists, marketing directors, publicists, sales people...the list
seems endless, and each and every one of them plays a major role in
getting a book into the hands of readers.
> Do you have any advice for hopeful authors?
Read,
write, learn, hone your craft, tell the stories that are in your
heart, and never give up. Never, ever give up. It took me twelve
years and four completed novels (and a lot of incomplete ones!) to
find an agent and then an editor who believed in my story -- a lot of
that time the only thing that kept me going was what my husband calls
sheer stubbornness but I prefer to think of as persistence. :)
Against
it? No, because I personally don't think there's any way to prevent
writer's block. I do know from experience, however, that it's
possible -- and when you're under deadline, necessary! -- to bulldoze
through it. I have a whole arsenal of tricks that I use but my
favourite is to walk away from the story for a while and focus on
something else so that my subconscious has a chance to mull over the
issues. I'll often have the answer I need as soon as I stop trying so
hard.
> How do you discipline yourself to write?
Short
answer? Not very well, lol! The longer answer would be that it's an
ongoing battle for me. Once I become immersed in a story it's pretty
easy to stay on track because I'm involved and anxious to get the
words down on paper. The immersion process, however, can be a little
more tricky.
> How many rejection letters did you get for your first novel or story?
There
were a lot, but I honestly didn't keep track. Some authors keep their
rejection letters, but I'm not one of them. If there is a usable
criticism, I absorb it and then move on...writing is difficult enough
without hanging onto all the reasons you shouldn't continue!
** Linda will be signing books at the World's Biggest Bookstore (20 Edward St.) tomorrow (Saturday June 23rd), starting at 1pm.
Great interview! Thanks!
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