Tuesday, 28 April 2020

Book Review: Building the Great Cathedrals by Francois Icher

Translated by Anthony Zielonka

Pros: lots of large illustrations and photographs, goes over the entire process, easy to read

Cons: some extraneous information, refutes bad information by first teaching it to the reader

The book consists of six chapters: The Age of the Cathedrals; Patronage, Financing, and the Workshop Committee; The Architect; Before Reaching the Cathedral Construction-site; The Cathedral Construction-site; and The Memory of the Builders. I was hoping for a more in depth explanation of how cathedrals are built, from beginning to end. This turned out to be a very basic primer of the process. Turns out that’s all I really needed. There are over 200 colour photos, making this is a luscious book. It’s oversized so the photos are also quite large. There’s a good mix with a lot of building images and photos from various cathedrals.

The emphasis here is on French cathedrals and guilds, branching out briefly to touch on other places. I found it a bit annoying how the author kept refuting beliefs. Yes, it’s important to correct misconceptions but I’d prefer that be done by simply explaining the correct answer rather than taking up room to teach the bad information first. I also found the short chapter on whether a modern French confraternity descends from the medieval guilds unnecessary.

The last chapter includes information on a sketchbook that survives from the middle ages which reproduces many cathedral design elements. That was fantastic. I also appreciated the translations of some of the guild regulations for stonecutters.

This is a basic guide to the construction of cathedrals - from start to finish - whose illustrations really make it worth the price.

Tuesday, 21 April 2020

Book Review: Pheonix Unbound by Grace Draven

Pros: good world-building, interesting characters

Cons: the world is brutal, begins with a rape

Gilene is the village of Beroe’s sacrifice for the Rites of Spring, and due to her ability to control fire, has been for the past few years. Her actions keep the other women in her village safe from harm but extract a severe price from her. When she’s recognized through her illusion spell by the Gladiator Prime Azarion, he blackmails her into helping him escape the coliseum and the Empire itself. As a fire witch, he needs her to reclaim his rightful place as heir to his clan.

This is a fantasy novel that follows the beats of a category romance novel. Despite it’s happily ever ending though, the world is brutal and the book itself begins by explaining that the heroine has been raped in the past as part of her duties as a sacrifice, while graphically showing the rape of the hero by the Empress, a scene I could have done without.

These actions set a tone for the book that I was never able to recover from. The author does a great job of showing how, over time, the couple begins to overcome their meeting (Azarion’s abduction and threatening of Gilene) to slowly kindle romantic feeling for each other. A fair amount of time passes over the course of the book, making this feel believable.

I really liked both Gilene and Azarion as characters. Gilene is responsible and pragmatic, even in the face of her imposed ‘duty’. The scene at the beginning where she disrobes, ready to be raped and done, is heartwrenching but really does show what a survivor she is. Azarion has lived through similar horrors and I was surprised that this was never used as a way to bring them closer together emotionally - that they never talked to each other (or other characters) as a way of dealing with and trying to heal from their traumas. I did like his determination and spirit and learning about his tribe was interesting.

Their rape is never formally addressed between them and thus hangs over everything they do. When they finally make love, Gilene thinks back to the last man she was with (ie, her previous rape). Not only is this off-putting to the reader it shows that she’s never really dealt with the trauma of the horrors she’s been through. Thinking back on this later, I wish the author had eased them into the physicality of sex as much as she’d eased them into their emotional connection. Yes, they share a bed and end up cuddling, but there’s no measure of, this is how sex with a willing partner differs from an unwilling, and I think the characters (and I as a reader) needed that. I also think it would have been interesting to see Azarion discuss how his only (only recent at any rate) experiences of sex were violent and filled with fear and anger, asking for advice on how to give (and feel) pleasure. I found it bizarre that the author would bring up such a heavy emotional event and then not try to show actual healing via therapy of some sort. Because as much as Gilene’s pragmatism makes her willing to undergo rape, that’s not the same as healing from it and being ready for an actual emotional and physical connection.

The world-building was very good. I liked that there are several types of magic and that some magics come with a cost. There are several interconnected political and economic groups (the Empire, various tribes, guilds, tradesmen). The Savatar were fleshed out as a people with a lot of customs setting them off from the Empire.

I loved that both characters get satisfying climaxes for their different plot arcs. The ending was great.

If you’re looking for a feel good, fluffy read, give this a pass. If you like grimdark fantasy but want more romance, this is for you.

Tuesday, 14 April 2020

Anniversary "spaceship view" card

I recently celebrated my anniversary and made a science fiction based card for my husband. My idea was this couple is dancing in front of the view screen/window of a spaceship flying past or orbiting another planet. It's the first card I've made in a while and I'm happy with how it turned out. You can't really see it in the photo but some of the darker planetary lines (clouds?) has some shimmery gold mixed in with the darker red.


Tuesday, 7 April 2020

Book Review: History of the Church in Art by Rosa Giorgi



Translated by Brian Phillps

Pros: lots of images, covers a range of topics

Cons: no glossary for vestments

This is part of a series of books by the J. Paul Getty Museum where works of art (mostly paintings) have aspects highlighted to give a deeper appreciation of the artworks and their meanings. After the introduction there are 5 chapters in this book: Liturgical Objects and Furnishings; Clothes, Vestments, and Status; Worship and Images; Episodes in the History of the Western Church; and Historical Figures in the Roman Church Tradition.

This book is not a linear history of the Catholic Church. It is a guide to help you identify items of Catholic worship (clothing and implements) as well as important people and events in works of art.

I enjoyed learning about the various church implements, some of which I’ve learned to recognize and some of which I was unfamiliar with. This section was great as each implement was dealt with individually with at least one or two images. 

I was hoping the section on vestments would go over each item of clothing so I could get a better understanding of what each one was. Instead the chapter dealt more with status, showing different orders (monks, priests, cardinals) and what they would wear. While there were some textual notes pointing out the various individual items of clothing (alb, cope, etc) it would have been nice to get a glossary of terms with simple images to better teach these terms.

The paintings used as examples were mostly from the later middle ages to the 1800s and covered a good mix of topics and people. I appreciated the number of explanatory notes each one received.

The chapters on historical episodes and figures covered a fair range of topics. There were a few I’d have added, but on the whole I thought they did a good job.

If you are interested in Christian art or the history of the Catholic church, this is a great book.

Wednesday, 1 April 2020

Shout-Out: HEX by Rebecca Dinerstein Knight

Nell Barber, an expelled PhD candidate in biological science, is exploring the fine line between poison and antidote, working alone to set a speed record for the detoxification of poisonous plants. Her mentor, Dr. Joan Kallas, is the hero of Nell's heart. Nell frequently finds herself standing in the doorway to Joan's office despite herself, mesmerized by Joan's elegance, success, and spiritual force.

Surrounded by Nell's ex, her best friend, her best friend's boyfriend, and Joan's buffoonish husband, the two scientists are tangled together at the center of a web of illicit relationships, grudges, and obsessions. All six are burdened by desire and ambition, and as they collide on the university campus, their attractions set in motion a domino effect of affairs and heartbreak.

Meanwhile, Nell slowly fills her empty apartment with poisonous plants to study, and she begins to keep a series of notebooks, all dedicated to Joan. She logs her research and how she spends her days, but the notebooks ultimately become a painstaking map of love. In a dazzling and unforgettable voice, Rebecca Dinerstein Knight has written a spellbinding novel of emotional and intellectual intensity.

Tuesday, 31 March 2020

Books Received in March, 2020

Many thanks as always to the publishers who sent me books for review this past month.

The Mother Code by Carole Stivers - I have finished this and will post my review on its release date of May 5th August 25th. It has the unfortunate timing of being a book about a man made pandemic during an actual pandemic. Not my preferred reading right now, which coloured my impression of the book.

It’s 2049, and the survival of the human race is at risk. Earth’s inhabitants must turn to their last resort: a plan to place genetically engineered children inside the cocoons of large-scale robots—to be incubated, birthed, and raised by machines. But there is yet one hope of preserving the human order—an intelligence programmed into these machines that renders each unique in its own right—the Mother Code. 


Kai is born in America's desert southwest, his only companion his robot Mother, Rho-Z. Equipped with the knowledge and motivations of a human mother, Rho-Z raises Kai and teaches him how to survive. But as children like Kai come of age, their Mothers transform too—in ways that were never predicted. When government survivors decide that the Mothers must be destroyed, Kai must make a choice. Will he break the bond he shares with Rho-Z? Or will he fight to save the only parent he has ever known?
In a future that could be our own, The Mother Code explores what truly makes us human—and the tenuous nature of the boundaries between us and the machines we create.

Axiom's End by Lindsay Ellis - Sounds interesting. This will be my next read. Out July 21st.

Truth is a human right.
It’s fall 2007. A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government—and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him—until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades.
Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human—and could unleash a force more sinister than she ever imagined.

Tuesday, 17 March 2020

Book Review: The Invention of Race in the European Middle Ages by Geraldine Heng

Pros: good exploration of a challenging topic, lots of examples, thoroughly examines sources

Cons: sometimes uses fictional narratives as if they were accurate historical works, didn’t properly clarify that Ethiopia does not mean the current country, repeats information

The book consists of 8 chapters: Beginnings, Inventions/Reinventions (race studies), State/Nation (Jews), War/Empire (Islamic “Saracens”), Color (Africans), World I (Native Americans as mentioned in the Vinland sagas), World II (Mongol Empire), World III (Romani). There is no conclusion but there are a lot of notes after each chapter.

The ‘Beginnings’ introductory chapter gives a brief overview of what each chapter covers. Chapter one deals with the idea that race is a modern construct and that racism as understood today didn’t exist in the Middle Ages. The author pulls that argument apart with a few quick examples of how Jews were treated in England (wearing a symbol on their clothes, accusations of blood/murder libel, the Jewish exchequer). She also quickly goes over the mappamundi that gained popularity in the 13th century, with their ‘monstrous races’ around the edges of the known European world and how the English wrote about the Irish, Welsh, and Scottish closer to home. She concludes this chapter with a quick example of race as it pertains to colour, specifically black Africans.

With the foundation set, the author moves to the heart of the matter starting with how the Jews were perceived in Medieval England specifically. The first two chapters were a struggle for me as the language was hard to parse, being very academic and dense. As the book progressed the language became more accessible and I found the rest of it easier going. The author repeated some information within chapters, which is great if you’re only reading one section but could get annoying at times when reading the whole thing.

I was impressed with the extent to which the author dissected her sources.

The author had the habit of giving very brief mention to things that should have been emphasized more. For example, in the chapter on black Africans there’s little reinforcing of the fact that “Ethiopia” referred to anywhere in Africa south of Egypt, and often included India (as goods from India traveled to Europe via ports in Africa). It would be easy to assume the term deals with the modern country. Similarly, while the same chapter uses fictional works to show the European attitudes towards black characters the author later uses other fictional narratives as if they were pure historic documents (while the Norse sagas might have a high level of accuracy, taking minutae written 200 years after the fact at face value is unwise).

There was a lot of great information imparted, and some interesting works broken down. I learned a lot from this book, especially on topics I have less background in. For example it was great that the author brought in archaeological information about Native American tribes that supported information from the Norse sagas. But there were times when had I not had the grounding on a certain topic (having read several books on ancient/medieval Ethiopia, taken a course in university on the challenges of using fictional primary sources for accurate historical information) I might have come away with the wrong conclusions.

This is a good book that discusses an important topic, but it’s not for beginners and should be read with care.