Many thanks to the publishers who granted my book requests on Netgalley in November. These aren't my usual requests but I've been getting more into art and history (and art history) lately.
The History of Tarot Art offers a fresh and accessible look at the art styles, artists, and history behind more than a dozen of the world’s most noteworthy tarot decks.
Guided by Holly Adams Easley and Esther Joy Archer, hosts of the popular Wildly Tarot podcast, this deluxe collector’s book provides a fresh look at the influence of tarot from its beginnings to today. The elegant slipcase, 24 removable Sola-Busca tarot cards, and illustrated fold-out timeline with important dates in tarot development make this package a must-have for any tarot fan.
The History of Tarot Art shows how tarot morphed from a fifteenth century card game to a popular modern activity. Learn more about the stories behind the art of tarot’s most influential decks, like Rider-Waite-Smith and Aleister Crowley’s Thoth Tarot, as well as the female artists whose work was often overshadowed in their time.
The History of Tarot Art also takes a close look at the Visconti, Sola-Busca, Tarot de Marseille, Aquarian, Morgan-Greer, Motherpeace, Cosmic, Druidcraft, Wild Unknown, and Deviant Moon decks, alongside dozens of contemporary decks. In many cases, you’ll see how tarot art reflects its era. The Morgan-Greer deck, for example, could only have been born in the 1970s. More recent decks, such as Black Power Tarot and Fifth Spirit Tarot, aim to represent more diverse experiences in regard to race, gender, and sexuality.
The book also provides tips for doing your own tarot readings and a cheat sheet on the meanings of the Rider-Waite-Smith, Thoth, and Tarot de Marseille cards.
Whether you're a longtime tarot practitioner or a newcomer to the practice, you'll find fascinating new insights in this retrospective.
Discover how drawing on the way—in-the-moment sketching on a train, in a cafĂ©, at the laundromat—can improve your drawing skills and let you unplug and engage with the world.
In Drawn on the Way, Sarah Nisbett shares her techniques for creating captivating line drawings that capture moments and moods: a young woman lost in thought, a pair of hands clasped on a lap, a peppy beagle, a pair of jeans-clad crossed legs. Sarah invites readers to see the people they draw with “compassionate curiosity—as more than a stranger, as someone with a story worth knowing or imagining.”
By learning how to create sketches from start to finish employing techniques such as contour drawing, using line work to add texture, and adding spot color, you’ll see how each sketch tells a story. You’ll begin to focus on important details that reveal something about the person you’re drawing: the graceful drape of a hand over a purse, the shy way someone tucks their feet underneath them.
In this book you’ll discover:
- How to translate what you see into a compelling drawing
- How to silence your inner critic and find joy in drawing what captures your interest
- Techniques for drawing figures and creating quick portraits
- How key details can take a sketch from plain to captivating
- How to draw scenes and backgrounds without becoming overwhelmed
- Ways to find the extraordinary in the everyday
- How to transform mistakes into likeable elements
- Tips for becoming a visual storyteller
- Life lessons learned from years of live drawing
We spend most of our lives on the way, rushing and running from place to place, task to task. When we have a spare minute, we usually reach for our phones and shut everything else out. The techniques, projects, and ideas in Drawn on the Way are designed to help you be more mindful about drawing, to capture the people, places, and things you encounter each day. By doing that, you’ll connect with humanity in a deeper, more meaningful way—and discover a lot about yourself.
Medieval gardens usually rate very few pages in the garden history books. The general perception is still of small gardens in the corner of a castle. Recent research has shown that the gardens were larger than we previously believed. This book contains information and pictures that have not been generally available before, including the theory and practice of medieval horticulture. Many features of later gardens were already a part of medieval gardens. The number of plants was limited, but was still no less than many modern gardeners use in their own gardens today. Yet medieval gardens were imbued with meaning. Whether secular or religious, the additional dimension of symbolism, gave a greater depth to medieval gardens, which is lacking in most modern ones.
This book will be of interest to those who know little about medieval gardens and to those with more knowledge. It contains some of the vast amount of research that the author carried out to create the medieval gardens at the Prebendal Manor, Nassington, Northamptonshire. The author has tried to use previously unused sources and included his own practical experience of medieval gardening methods that he carried out to maintain the gardens. Some worked, others certainly didn’t.